Category Archives: Jazz

Continental Drift: 50 Years of Jazz from Europe

In July of this year I was part of a team, along with Dr Haftor Medbøe and Prof Chris Atton, that organised and hosted the international conference ‘Continental Drift: 50 Years of Jazz from Europe‘, in association with the Edinburgh Jazz and Blues Festival.

We were delighted to welcome a broad range of delegates from around the world, including academics, musicians, industry representatives, and educators. Through a programme of panel discussions, research presentations, and discussion sessions, the conference was a wonderful weekend of informed and lively debate around the ontology of jazz in Europe, the nature of jazz in the region at present, and a look towards the future of the music in this area.

We now have video footage and audio recordings of the event, and I would like to share them in this post.  For audio recordings, you can subscribe to the podcast using iTunes by clicking here, or visit the blog feed here. Please see below for a range of videos of the event.

We are looking forward to working in association with the Edinburgh Jazz and Blues Festival again next year, and we will be distributing a call for papers in the next few weeks.  If you are interested in participating, or even just attending, then please get in touch or comment below.

Enjoy the video content – we’d love to hear your thoughts!

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Why I Love ‘A Love Supreme’

This month marks the 50th anniversary of the release of the iconic album ‘A Love Supreme’ by John Coltrane.  The album is a four-part ‘suite’ (with a running-time of only 33 minutes) that is frequently listed as one of the most important or influential albums in the history of jazz.  The album was written as an expression of Coltrane’s gratitude to God and is widely understood to be a reflection of his spiritual quest, arising from his personal struggle with drug and alcohol addiction.  It comprises 4 thematically-linked tracks: (1) Acknowledgement, (2) Resolution, (3) Pursuance, and (4) Psalm.

My admiration for this record has nothing to do with Coltrane’s faith or spirituality.  As an atheist, I have no religious connection to the music and I do not believe that such a connection is necessary in order to engage with the work.  I love the music and feel that it was (and continues to be) an eye-opener for me with regard to the approach to improvisation, the development of melodic ideas and the ensemble interaction.  So, here’s a short list of the musical reasons for my love of this incredible album.  There is very little in the way of analysis of the music and I do not intend to draw any conclusions – this post is simply me, as an admirer of the album, providing some insight into why I love it. Please feel free to comment below and add your own reasons to the list – I’d love to hear other people’s opinions on this music.

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