For the last few years, I have created a list of my top 5 records of that year. I do this for my own amusement, primarily, as it is nice to get to December and have an excuse to spend a while looking back over the year’s musical offerings and rediscovering things that may have slipped my mind. However, it seems to be a nice way to get people talking about music and sharing their favourites so I thought I’d do it again this year. I normally wait until later in the month to do this but I am currently incredibly busy and, naturally, looking for any procrastination opportunity I can find.
(If you’re interested in the lists from previous years you can check them out here: 2014 and 2015)
This year has been full of great music and the following is my list, in no particular order. Please do feel free to join in by posting yours in the comments section below!
Continue reading MY TOP 5 SONGS OF 2016:
In response to a recent post by Zack Moir, I thought I might wade in with some related musings and give offer suggestions to banish the ‘black dog’ that is writer’s block.
In common with Zack, I struggle to balance my musical practice with the teaching and administrative demands of academia, and the general push and pull of simply living life. I recognise all of the worries that he outlines – and, I dare say, that they are probably universally experienced by those who compose music. The act of committing musical ideas to paper (or hard-disc), for posterity is a daunting prospect. Improvisation, albeit differently challenging, doesn’t run the same risk of sustained critique – when it’s over, it’s over and quickly becomes just a vague memory (good or bad). Composing, however, exposes you to the judgement of fellow musicians, listeners and critics. And, most frighteningly, they have the ability to review your work over and over again, giving you never ending fresh insights into what’s wrong with your it (or, on a brighter day, what’s right about it).
Personally, I find the following strategies provide some motivation. And motivation is generally the first stumbling block over which to jump:
Continue reading The Black Dog: More thoughts on writers’ block
I have writers’ block, when it comes to composition. I have had it for nearly two years. I have not written a full piece of music that I have been happy with in a long time. It is starting to stress me out…
What is writers’ block, though? Many people say that it doesn’t even exist, and that it is just a combination of procrastination, trepidation, and fear of artistic commitment. That’s probably true , using the term ‘writer’s block’ as some sort of catch-all term for one all encompassing monolithic problem is probably not helpful or appropriate. Regardless, it feels like an appropriate term and the notion of ‘blockage’, is particularly apt in my case as many of my problems seem to stem from not being able to get close enough to this type of work to develop any ideas or to encourage any artistic ‘juices’ to flow.
When I sit and think about my dearth of ideas and what seems like a crippling lack of creativity, I feel like I can see a number of reasons why this may be the case. While this is, in some ways, useful as it helps me to see the potential causes, it also has a compounding effect as I know how difficult it will be to try to get past some of the hurdles. This leads to a spiral of worry about the potential of being in this position permanently and leads to bigger and more important questions such as: What effect might this have on my teaching? How might this impact on my musicianship? What on earth can I do to get over this?
The following is my explanation of what I think the main problems are:
Continue reading Writers’ Block
Last year, having spent a bit of time thinking about the way that people like to make lists of ‘top 5 records’ (read the original post here) I decided to compile a list of my top 5 songs of 2014. At this time of year I get more of an opportunity to actually sit back and enjoy listening to music and it is nice to look back over the songs that were released in the previous 12 months. So, the following is a list of the 5 tracks that I have enjoyed most in 2015. I’m not trying to convince anyone or to campaign for these songs in any way – they’re just my personal favourites from this year.
What were your favourites? Please feel free to comment below with your own top 5 list or even just the odd link to music that you have enjoyed from this year.
Continue reading My Top 5 Songs of 2015:
The other day I was playing a game with my three year old daughter in which we were making up funny songs, based on themes that we each took turns to suggest. So, I had to come up with songs about sheep, or busses, or cakes, for example. One song that she sang sounded particularly happy and upbeat – a fun kid’s song. Just out of curiosity, I then asked her to sing me a ‘sad song’, and what she did was (a) hilarious, and (b) really interesting. She basically just sung the same melody but slower, in a breathy, fragile voice, and did so while pretending to look ‘sad’ (in the same way that a mime-artist might do). This was wonderful as it linked directly to something that has been floating around in my head for the last few Christmases. Namely, the phenomenon of the ‘Christmas advert’ – typified by those for John Lewis(a UK department store), for example – which seem to have become (inter)national events, in recent years.
Most people reading this, certainly those from the UK will be familiar with the phenomenon that I am referring to. Essentially, these are adverts (commercials) that last for approximately 2 minutes in which a supposedly heartwarming, Christmas (or winter, at least) narrative is played out, often with an emotional message or display of seasonal good will. Importantly, however, the songs used in each of the adverts are cover versions of famous pop songs. If you are not sure what I am referring to then the following example is the most recent John Lewis advert (‘The Man on The Moon’) featuring a cover version of ‘Half the World Away’, by Oasis.
Continue reading Penguins, Snowpeople and a Man on the Moon: The ‘John-Lewis-isation’ of Pop Songs
Earlier this year, I wrote a post about ‘top 5 records’ for this site (have a read here) which seemed to generate a lot of activity in the form of comments and discussion. At this time of year, I thought it would be fun to follow this up and compile a ‘top 5 songs of 2014’ list. So, the following is a list of the 5 tracks that I have enjoyed most this year. Again, as in the original post, I’m not trying to convince anyone or to campaign for these songs in any way – they’re just my personal favourites from 2014.
It would be great to hear what other people have to say, so please feel free to comment below with your list or even just music that you have enjoyed from this year. Continue reading My Top 5 Songs of 2014:
OK, if you are reading any of the posts on this site you are probably a bit of a music geek (compliment, not pejorative)! So, be honest – is there anyone who doesn’t (at least secretly) enjoy the ‘Top 5 Records’ game? If you’re not quite sure what I am referring to then have a quick look at this clip from the film ‘High Fidelity’ from 2000 in which a group of record store employees indulge in a round of the game (as they do throughout the film). Not only do they demonstrate how the game works but they also show, and caricature, a lot of the other interesting attitudes that surround the choices that people make when asked to list their top 5 records.
Continue reading Top 5 Records:
This March, I attended the International Festival of Innovation at Leeds College of Music . The conference brought together several strands of research and practice, including Popular Music, Classical Music, Leeds International Jazz Education Conference, and the International Festival of Innovation in Music Production and Composition. In previous years, these strands have been run as separate conferences, and I have been involved with the Leeds International Jazz Education Conference for several years. To my mind, bringing together these events was an inspired move: scholars and practitioners from each field were able to network and share ideas, and delegates frequently found there was more in common between the disciplines than they had previously thought. Dr Zack Moir (@zackmoir) and I got talking at a coffee break, and ended up having an impassioned discussion about new methods of teaching music. We agreed that practical musicianship can be informed by theoretical and historical understandings, and vice versa.
Continue reading Conflict and Coherence: Thinking About Idiomatic Interplay in Music