Category Archives: Pop Music

Top 5 Records:

OK, if you are reading any of the posts on this site you are probably a bit of a music geek (compliment, not pejorative)!  So, be honest – is there anyone who doesn’t (at least secretly) enjoy the ‘Top 5 Records’ game?  If you’re not quite sure what I am referring to then have a quick look at this clip from the film ‘High Fidelity’ from 2000 in which a group of record store employees indulge in a round of the game (as they do throughout the film).  Not only do they  demonstrate how the game works but they also show, and caricature, a lot of the other interesting attitudes that surround the choices that people make when asked to list their top 5 records.
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Conflict and Coherence: Thinking About Idiomatic Interplay in Music

This March, I attended the International Festival of Innovation at Leeds College of Music . The conference brought together several strands of research and practice, including Popular Music, Classical Music, Leeds International Jazz Education Conference, and the International Festival of Innovation in Music Production and Composition.  In previous years, these strands have been run as separate conferences, and I have been involved with the Leeds International Jazz Education Conference for several years. To my mind, bringing together these events was an inspired move: scholars and practitioners from each field were able to network and share ideas, and delegates frequently found there was more in common between the disciplines than they had previously thought.  Dr Zack Moir (@zackmoir) and I got talking at a coffee break, and ended up having an impassioned discussion about new methods of teaching music. We agreed that practical musicianship can be informed by theoretical and historical understandings, and vice versa.

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From Debussy to Pharrell: How extended harmony ‘brightens up’ a pop landscape.

Continue reading From Debussy to Pharrell: How extended harmony ‘brightens up’ a pop landscape.

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