Tag Archives: Drums

Drums and Shouting of Words

I was becoming bored of (and spending a small fortune on) playing in the Toxic Twins Aerosmith tribute band, and wanted to make new music at the drums. I quit with the firm intention of not playing any more rock for a while, unless it was of the ‘feral pop’ variety discussed by Charlie Bramley (2017), or in projects with Stephen Wheel or the Eruptörs. I had also recently burnt all my bridges with the London musical theatre fringe circuit by fathering a child and therefore not being in a position to do gigs for free any more. I was still playing in pop-noir electro-swing band, Sweet Tooth, whose gigs and rehearsals were consistently beautiful, immersive quasi-cinematic experiences that kept me technologically on the edge of my seat, but I wanted to express myself a bit more on the drums – to breathe, move, listen, respond and emote. Jazz might have been the logical vehicle for such an endeavour, had I not long ago abandoned its oppressive subtleties and sophistication for a post-quiet performance aesthetic that allows me to play as loud as I feel I need.

At one of the monthly Cabaret Futura events hosted by legendary London musician and curator (and one-time olde-English executioner), Richard Strange, I absorbed the performance of spoken word artist and self-proclaimed “shouter of words”, Oh Standfast. Having seen him play at another event a few months prior, I was excited to be bombarded by his bombastic bardery for a full fifteen minutes and gave him a lift home after discovering we lived in neighbouring regions of north London. My rock covers holiday inspired me to contact him later by email, and he was curiously accepting of my invitation to meet in a rehearsal room to see what would happen. I confessed at our first session, I had been struck by a video that caught my attention on Facebook, of a drummer (and bassist and keyboard player, but I wasn’t at all interested in them) playing along to this advertisement for Jones’ Truck Rental and Storage.

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Autoethnomusicosophy: Experiencing Drum Kit Performance

I’m planning a study into the performed experience of playing drum kit. The study will be conducted from an autoethnographic perspective, and will explore the intensity, banality, madness and surreal-ity of twice-daily musical performances of a Pantomime musical theatre production. The study will be contextualised from ethnographic and philosophical perspectives, and is perhaps helpfully explained in a haiku that I wrote when trying to Tweet about my nascent research in this area ahead of giving a talk in Cleveland, Ohio, earlier this year:

I am a drummer
Drumming is when I am me
Then is who I am

Adages concerning writing-about-music, and dancing-about-architecture notwithstanding, and the irony of the heightened relevance of these in a piece on an intended study about embodiment – the planned principal output of which will hopefully be a book – not lost of any of us, I shall proceed.

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