Tag Archives: Idiom

‘Improvisation is a Parlour Trick. Anyone Can Do It…’

I was sitting with my daughter last week watching Tim Burton’s ‘Charlie and the Chocolate Factory’ (Warner Brothers, 2005) and was struck by a particular passage of dialogue.  Just after the first of the bratty, selfish children (Augustus Gloop) gets eliminated from the tour of the chocolate factory, the Oompa-Loompas perform an elaborately choreographed song and dance routine which describes the events which led to this child’s early exit from the film.  Shortly after the song finishes, the following dialogue occurs:

Charlie: Mr. Wonka, why would Augustus’ name already be in the Oompa-Loompa song unless they—

Willy Wonka: Improvisation is a parlour trick. Anyone can do it. [turns to Violet] You! Little girl – say something. Anything!

Violet: Chewing gum.

Willy Wonka: Chewing gum is really gross. Chewing gum I hate the most. See? Exactly the same.

Mike: No, it isn’t.

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Conflict and Coherence: Thinking About Idiomatic Interplay in Music

This March, I attended the International Festival of Innovation at Leeds College of Music . The conference brought together several strands of research and practice, including Popular Music, Classical Music, Leeds International Jazz Education Conference, and the International Festival of Innovation in Music Production and Composition.  In previous years, these strands have been run as separate conferences, and I have been involved with the Leeds International Jazz Education Conference for several years. To my mind, bringing together these events was an inspired move: scholars and practitioners from each field were able to network and share ideas, and delegates frequently found there was more in common between the disciplines than they had previously thought.  Dr Zack Moir (@zackmoir) and I got talking at a coffee break, and ended up having an impassioned discussion about new methods of teaching music. We agreed that practical musicianship can be informed by theoretical and historical understandings, and vice versa.

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