In response to Zack’s previous post, ‘Improvisation is a Parlour Trick: Anyone can do it…’ I’ve decided that I’m going to come clean, and do an autoethnographic analysis of my OWN soloing strategies; this means coming clean and I admitting to what I was really doing in the course of a so-called improvised solo for a paying session. Also, I just noticed that in Gareth Dylan Smith’s recent post he also used the autoethnographic tag, and I think it’s the best way to look at a musical situation from the viewpoint of the main protagonist-ME. No one else is better qualified to say what is really going on here…. Continue reading A Whole Bag of ‘Parlour Tricks’
I was sitting with my daughter last week watching Tim Burton’s ‘Charlie and the Chocolate Factory’ (Warner Brothers, 2005) and was struck by a particular passage of dialogue. Just after the first of the bratty, selfish children (Augustus Gloop) gets eliminated from the tour of the chocolate factory, the Oompa-Loompas perform an elaborately choreographed song and dance routine which describes the events which led to this child’s early exit from the film. Shortly after the song finishes, the following dialogue occurs:
Charlie: Mr. Wonka, why would Augustus’ name already be in the Oompa-Loompa song unless they—
Willy Wonka: Improvisation is a parlour trick. Anyone can do it. [turns to Violet] You! Little girl – say something. Anything!
Violet: Chewing gum.
Willy Wonka: Chewing gum is really gross. Chewing gum I hate the most. See? Exactly the same.
Mike: No, it isn’t.