This post is a quick look at the tangled the mix of live playing, sampling and DJ’ing in old School hip Hop. One of the great advantages of the blog format is the chance to lay in audio a youtube links, so the reader can actually hear what is being talked about. I do, however ask you, dear reader, to be aware that this limits us to MP3 audio, and if you want to REALLY here some of this stuff, find it in a decent audio form.
My five year old daughter has some interesting books, courtesy of a cool mother in law. Along with a story built around Coltrane’s Giant Steps (I’ll lend it to you Zack), we have an illustrated children’s account of DJ KOOL HERC! When the Beat was Born gives a child friendly account of the origins of Hip Hop in the Bronx. Spurred on I went looking for more on the subject and a visit to Edinburgh University library shows a good ten feet of academic literature on hip hop, much of it describing a world I know nothing – which is weird because I lived in new York for 11 years from 1990, and had some experience making music on the peripheries of Hip Hop.
Continue reading Dance to the drummer’s beat (PART 1)
In order for any musician to learn and develop they must have regular opportunities to play, rehearse and perform over a sustained period of time. There are very few opportunities for disabled musicians to take part in regular, progressive music making. Although there is a welcome increase in more inclusive music activities, most of these are time-limited projects, often only lasting a number of weeks, with little or no follow up. Improving this situation is one of the key aims of Drake Music Scotland. This blog is about one of our groups, The Digital Ensemble.
Continue reading The Digital Ensemble
Fulfilling my overlapping roles as a drummer, a teacher of aspiring musicians in a London music college, and a ponderer on what it is some of us are trying to achieve in and through higher popular music education, I spend a good portion of my time worrying about what kind of example I set, and to what extent how many students will see my example, casually ignore it, and go their own way. Most of the music I play is perhaps most easily grouped under the broad descriptor of “popular” – although the relative popularity of that music is borne testament by the collection of boxes I have at home containing CDs of the Eruptörs’ first (OK, and also our second) punk-metal quasi-concept-album from 2008 (and 2010). That being said, I just finished a run of panto in Essex, and the show was 99% sold out – an impressive box office feat that I am confident had nothing at all to do with my being involved in the production. But although panto is popular and I hardly stopped drumming throughout, isn’t it much more theatre than music? Where does one draw the line, and why? All of this (and more) has me wondering about my relevance, anxious about the pedagogic authority – as Bourdieu and Passeron (1977) have termed it – that students, consciously or unconsciously, ascribe to me.
Continue reading Confessions of a Luddite: My eventual acceptance of technology in performance
This post will be used to show a short documentary that was made to outline an interesting project that I was involved with earlier this year. The project involved working with and mentoring a quartet of disabled musicians in the composition, production and dissemination of a 3-part piece of music, entitled ‘The Deep‘.
The documentary includes footage from the studio session and commentary from myself and other members of the team.
This project was funded by Creative Scotland’s via CP Productions and was a collaboration with Drake Music Scotland
Viewing landscapes “employs the mind without fatigue and yet exercises it; tranquilizes it and yet enlivens it.” That quote is from pioneering American landscape architect Frederik Law Olmsted. But it could apply equally to music listening. It’s well known that music encourages a mood, can support a sense of well being, and associates with place. But many environmental specialists and health researchers claim similar benefits from natural environments.
Continue reading Naturally Musical