I spent eight years teaching undergraduates at the Institute of Contemporary Music Performance (ICMP) in London, England, hopefully setting students on paths to careers in the music industry. My work there largely involved lecturing and supervising students on a mandatory final-year project – a 10,000-word critical essay. I enjoyed the process, but wondered about the value of this work in the lives of the aspiring professional musicians whom I was teaching. Many resented undertaking the project and saw it as a distraction from what they felt they should be doing – making music. I became increasingly uncertain of the role played by the school and by higher music education in general; did students really benefit from spending several years at college, honing skills for an uncertain foray into an ever more saturated music market in a dense and intensely isolating city such as London?
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Today via social media I received news of an exciting alumni success. Lauren Johnson, a young woman with a tremendous voice, whom I taught six or seven years ago at ICMP, came to my attention, thanking her circle of contacts for acknowledging the success of her band’s new song. Lauren did not actually feature on this particular release, but Captain Ska’s “Liar Liar GE2017” had made it to no. 1 on the UK iTunes download chart. The song gently mocks Teresa May, sitting Prime Minister and leader of the UK’s governing Conservative Party, highlighting some untruths she has told during and leading up to her campaign to lead the country for another parliament.
Protest songs have not been all that popular for a while. Perhaps people felt no need to pay attention to political singers, or maybe broadcast media have preferred to divert attention away from issues beyond the allure of sex, romance or dancing. Either way, it was heartening, indeed thrilling, to note that the BBC – that bastion of British Values (e.g. championing the monarchy, reifying the free market economy and de-emphasizing news stories about tragedy affecting non-whites) – had banned the song from airplay, along with popular London radio station, Capital FM. I was naturally excited for my former student, and felt a flush of pride to be connected (albeit incredibly remotely) with her band’s success.
Continue reading Popular Music, Politics, and Prudence